Accessing Photoshop tools and their options Keep the Tools panel set to whichever format works best for you. Click on the double arrows again to bring the Tools panel back to the default, single-column view. Click on the double arrows in the gray title bar area above the Tools panel to bring the Tools panel into the two-column view. The Tools panel is in a space-saving, one-column format. Increases and decreases the relative size of the view.Ĭan't tell the tools apart? You can view tooltips that reveal a tool's name and keyboard shortcut by positioning your cursor over the tool. You can dock it again by dragging it back to the left side of the workspace release when you see the blue vertical bar appear. You can create a floating Tools panel by clicking on the gray title bar at the top of the Tools panel and then dragging it to a new location. Paints with the selected state or snapshot.Įrases pixels-or reverts to a saved history state. Makes freehand, polygonal (straight-edged), and magnetic selections. Makes rectangular, elliptical, single row, and single column selections. Photoshop tools for Selection, Cropping, and Measuring Selection, cropping, and measuring tools. At the bottom of the Tools panel you find Set foreground color and Set background color, as well as Quick Mask.Ī. There are four main groups of tools, separated by functionality on the Tools panel: selection, cropping, and measuring retouching and painting drawing and type and navigation. When you start Photoshop, the Tools panel appears docked on the left side of the screen-by default it is not a floating Tools panel, as it was in earlier versions of Photoshop.
#Photoshop 101 tutorials how to#
We will continue to talk about this and how to work with color in Photoshop in the next few columns.Photoshop Tutorial: Discovering the Tools panel in Photoshop CS6 So that is your first taste of color theory. Just for clarity here are the brown images to look at.
#Photoshop 101 tutorials full#
Full saturation is sometimes useful for work that is aimed at younger folks. Typically, web sites and print material that are trying to evoke calm, structure and maturity use soft, desaturated colors. The first image is not my idea of sophistication. See how different it feels from this next image.
I used the Hue and Saturation command in Photoshop to do this. This is the blue image that has been completely saturated. The level of saturation in color is important in making sure your color scheme works. Those colors are complimentary to one-another. We will talk about complimentary colors later, but think about how often you see combinations of blue and orange, or blue and yellow on the web. It is also useful as an underlying color scheme, for which elements can compliment it.
You can use it to evoke a sense of structure, simplicity and sophistication. Choosing analogous color schemes is very useful for tying together elements in a layout. So why do you care? Well, you care because the values you choose in your color scheme whether your scheme is for print, the web, or anything is vitally important. Technically, black and white are not colors per se, but you get the idea right?
#Photoshop 101 tutorials series#
If you were using a greyscale version, they would go from black to white through a series of grays. Here we have the same series, but with blues. Now brown isn’t the best example, so let’s look at blue. What we have here is a series of analogous colors. You should be able to feel a sense of something with this color scheme, but we will talk about that later. Here is a series of brown colors going from a dark shade to a light one. Look at the image below to see what I mean. What this means is that you have a series of colors that are the same hue, but a different shade or saturation value. I am going to introduce you to a term in color theory called “analogous color”. Let’s begin this week by talking about some really simple ideas about color and then move on later to more complex ideas, psychology and practice. It’s like a musician you can teach them all the music theory you want, buy you should never “train-out” their ear. As an artist we must rely on intuition as much as we rely on theory and practice. Some of it is my own personal opinion about color. Before I do, I want to stress that some of this is hard and true “Color Theory” as it has been written for the past 100 years. This week I want to begin talking about color theory. Well think again, because it goes much deeper than that. You may just think what looks good is what is good. You may never think about color when you design.
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